Skip to main content

Check This Out




Madras is more treasured the world over as a checked cotton fabric than the erstwhile name of Chennai. The use of the Madras check cloth has been part of the tradition of the tribes of southern Nigeria—the Kalabari tribe! The southern Nigerian tribes wore it as their head dress or wrapped it around their torso. It held a significant place in the culture and tradition of the place—they believed that owning a piece of Madras is the greatest treasure a man can possess.

Madras, here we are talking exclusively about the cloth, became synonymous with the “injiri” or the “real India”. To quote the cloth historian Eicher, “injiri ( Madras) holds a special place in Kalabari life as a symbol of a person’s journey into the embrace of the world beyond this life……the opening scene in the drama of life includes a piece of injiri that is ceremoniously delivered to the mother by the father for carrying the child. This personal emblem of entry into society for that child also becomes the cloth marking his departure the moment he arrives at the house as a corpse…….”

Madras was produced and exported from Madras the place for more than four hundred years. Some say, that the weavers copied the patterns of the Scottish kilts because there was a Scottish regiment in Madras in the early 18th century. Maybe, the Scots copied the Madras check patterns. No one really knows. But historians say the trade of Madras has been going on for many, many years even more than four hundred years maybe a thousand years. But there is not much evidence for this, because the cloth disintegrates, yes it is bio-degradable and cannot last a thousand years to stand testament for this dramatic statement! 

The cloth is woven in and around Chennai and in the Prakasam district of Andhra Pradesh. The most prominent quality of Madras is that it bleeds profusely in the first few washes so it began to be marketed as Bleeding Cotton. Touting the fault of using fast colours as a fashion statement the exporters made a killing when it hit the market in the 60s and 70s! It is said the Portuguese were the earliest to get involved in the trade, then the others like the Dutch, French and the English too jumped into this lucrative trade of exporting Madras. Soon, East India Company controlled the scene and took it all over the world and along the slave route of Africa, France, USA.

    And, it was in the sixties, that Madras caught the attention of the fashion designers and became the rage. The bleeding cotton became quite the fashion statement! And it was used to brighten everything from home furnishings to shoes, bags, dresses and shirts. Cowboyish or crumpled—they were everywhere. It was perfect, comfortable and stylish! And it never goes out of fashion.


Comments

Popular posts from this blog

Book Review: An Autobiography Of A Sex Worker by Nalini Jameela

I am 51 years old. And I would like to continue to be a sex worker.” This is how the candid and defiant opening statement in Nalini Jameela’s autobiography in Malayalam, Oru Lymgika-thozhilaliyude Atmakadha, goes. It at once throws a challenge at society’s double standards — harsh on prostitutes and soft on the clients. Nalini Jameela, who is the coordinator of the Kerala Sex Workers’ Forum, reveals her sordid story with no trace of compunction. Nalini was a 24-year-old widow when she entered the profession to feed her two children. At that time she did not think about the repercussions of her act. She writes, “I was earning Rs 4.50 at a tile factory near Trissur. My mother-in-law served me with an ultimatum to either give her five rupees a day to look after my children or leave the house. I recounted my woes to a friend, who introduced me to Rosechechi. Rosechechi promised me Rs 50 if I spent time with a man. The first thought that came to my mind was that my children would be looked

Kochi Muziris Biennale: Whorled Explorations

London-based artist Hew Locke was in for a bit of shocker when he reached the Kochi-Muziris Biennale 2014 site, Fort Kochi in Kerala. His installation,  Sea Power , was apparently crafted from his imagination of what the historical kingdom of Cochin would have been. Indeed, he had yoked his imagination to that of a 17th century German printmaker. The printmaker had in turn conceived the kingdom of Cochin based on the tales of another. “My work is imagination based on the imagination of an image that was perhaps real. It was double fiction and I thought the prints were elaborate romantic imagery...but I discovered when I arrived in Cochin that this double fiction has elements of reality. People still wear lungis and walk around bare-chested,” says an amazed Locke. Hew Locke’s beaded frieze of mythological and historical figures that gently sway in the wind is a response to the biennial theme, ‘Whorled Exploration’, and suggests blips in the seminal mov­ements of history. Whorled Exp

SnooTea: Just My Style

(Photographs by Minu Ittyipe) It began on a lark to spiff up my morning cuppa. Oh well, I just wanted a change from what I had been drinking all my life. I am not complaining about the faithful brew that I stir up with tea dust, it does merrily improve with two extra spoonfuls of sugar but I was just plain bored with the regular. My concept of a cup of tea was corralled in the traditional Indian style- coppery coloured liquid topped with plenty of milk and sugar but now there was in me this undeniable thirst for a more delicate bouquet. Tranquilitea, Coonoor Curiously, though grown in our own backyard, few of us have heard of the orthodox leaf tea, forget the Silver Tips, Golden Tips and the White Tea etc.. that quietly find their way to the export market. To make a foray into this relatively unknown terrain, I headed for Tranquilitea, a tea lounge in the Nilgiris, for a cup of “Tippy” tea. On a sober note, you are cautioned not to confuse “Tippy” with the more commonplace “Tipsy” for